Ten minutes of improvised dance at BASE Milano. A week later, the photographs opened a question about calling, freedom, and the lives we make together.
In a former seventeenth-century church in Brescia, Anna Renzi Brivio makes garments by beginning where fashion often ends: with a person, a body, and the time required to understand both.
In LIMINA, photographer Anna Nagy looks at a corner of western Rome where family photographs, old houses, gardens, reeds, and apartment blocks occupy the same uncertain territory. Her work asks a deceptively simple question: when does private memory become the memory of a place?
Seven years after photographing Foto/Industria in Bologna, we returned to images that appeared to document an exhibition. What we found was a larger story about matter, labour, memory and the temporary forms we create from the world.
Through Tecla, ceramic designer and cultural planner Camilla Garelli looks beyond the finished object, following the materials, gestures, relationships, and meanings that allow a thing to become part of a life.
